After successful 2016, 2017, 2019, and 2020 events in Alabama, Writing Day Workshops is excited to announce The 2023 Alabama Writing Workshop — a full-day “How to Get Published” writing event in Birmingham, AL on March 10, 2023. This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (130 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2023 Alabama Writing Workshop! We are very proud of our many success stories where attendees sign with agents following events — see our growing list of success stories here. (Please note that this is an in-person event. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next AWW is an in-person event happening in Birmingham on March 10, 2023. See you there.)

WHAT IS IT?

This is a special one-day “How to Get Published” writing workshop on Friday, March 10, 2023, at the Embassy Suites by Hilton Birmingham (by the Zoo). In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s agent and editor faculty so far includes:

• literary agent Kat Kerr (Donald Maass Literary Agency)
• literary agent Carlie Webber (Fuse Literary)
• literary agent Erin Clyburn (Howland Literary)
• literary agent Michelle Jackson (Olswanger Literary)
• and possibly more to come

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Brian Klems of Writing Day Workshops (E-mail him to register for the event at WDWconference@gmail.com), with help from the Alabama Writers Cooperative.

EVENT LOCATION & DETAILS

9:30 a.m. – 5 p.m., Friday, March 10, 2023: Marriott Birmingham | 3590 Grandview Parkway, Birmingham, AL 35243.

(Please note that this is an in-person event. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next AWW is an in-person event happening in Birmingham on March 10, 2023. See you there.)

WORKSHOP SCHEDULE & INSTRUCTORS (MARCH 10, 2023)

8:30 – 9:30: Check-in and registration at the event location. 9:30 – 10:30: How to Create and Strengthen the Opening Image of Your Book, taught by attending agent Michelle Jackson. In this interactive class, a literary agent instructor walks you through the opening images of books to help you learn how to create and strengthen the A-HA moments of your writing. In addition to her teaching, attendees will have time to work with other attendees to improve the opening images of your book in a workshop environment. 10:30 – 11:45: Everything You Need to Know About Agents and Query Letters. This workshop is a thorough crash course in dealing with literary agents. After quickly going over what an agent is and what they do for writers, we will discuss resources for finding agents, how to ID the best agents for you, query letter writing, as well as the most important things to do and not to do when dealing with representatives. 11:45 – 1:15: Lunch on your own. There are several restaurants within quick driving distance on the block. 1:15 – 2:30: “Writers’ Got Talent: A First Page Critique-Fest.” In the vein of American Idol or America’s Got Talent, this is a chance to get your first page read (anonymously — no bylines given) with our attending agents commenting on what was liked or not liked about the submission. Get expert feedback on your incredibly important first page, and know if your writing has what it needs to keep readers’ attention. (All attendees are welcome to bring pages to the event for this session, and we will choose pages at random for the workshop for as long as time lasts.) 2:45 – 3:45: How to Market Yourself and Your Books: Talking Author Social Media, Blogging, and Platform. Whether you’re traditionally published or self-published, everyone could use some helpful guidance on how to effectively market themselves and sell more books. This session includes easy-to-understand advice on social media (Twitter, Facebook, more), blogging, and other simple ways you can market your work online cheaply and easily. 4:00 – 5:00: Everything You Need to Know After You Get an Agent and Your Work is on Submission, taught by Kayla Brown. Ever wonder what happens after you land your agent? This course covers everything you need to know after you sign that contract. Writer Kayla Brown will discuss revisions, writing the proposal, and how to keep yourself occupied while your book is on submission with an agent. All throughout the day: Agent & Editor Pitching. * * *

PITCH AN AGENT!

Erin Clyburn is a literary agent with Howland Literary. Erin represents middle grade fiction, YA fiction, and adult fiction and nonfiction. In MG and YA, she is looking for horror, mystery, thriller, big-hearted contemporary, and grounded stories with magical or speculative elements. In adult fiction, she is most interested in upmarket and literary fiction, and she gravitates toward the dark and strange: horror, thriller, mystery, and grounded stories with speculative or magical elements. Send her your weirds. In nonfiction, she’s interested in intersectional perspectives and is looking for narrative nonfiction, memoir, and deep dives into topics including pop science, nature, food and culinary history, and sports and adventure. An Alabamian with Louisiana roots, Erin is particularly interested in Southern literary and upmarket fiction from diverse voices in the above genres. Carlisle Webber is a literary agent at Fuse Literary. Carlisle is looking for: high-concept commercial fiction in middle grade, young adult, and adult. If your book is fresh and exciting, tackles difficult topics, reads like a Shonda Rhimes show, or makes readers stay up late turning pages, she’s the agent for you. Diverse authors are encouraged to submit their fiction. Within the genres she represents, Carlisle is especially interested in stories by and about people of color; with both visible and invisible disabilities and illnesses; who are economically disadvantaged; who are gay, lesbian, bisexual, transgender, or queer; or who are members of religious minorities. Pitch her: Middle grade (any genre), Young adult (any genre), thriller, mystery, suspense, horror, women’s fiction, and popular/mainstream fiction. ADDED ONLINE PITCHING: To ensure that writers have a robust and diverse lineup of agents & editors to pitch, 2023 Alabama Writing Workshop attendees will have the ability to also pitch literary agents at the Writing Day Workshops *online* event that follows the 2023 AWW on our event calendar. That event is the 2023 Online Writing Workshop of San Francisco, April 14-15, 2023, which will have 30-40 agents taking one-on-one Zoom virtual pitches.  This means that 2023 AWW attendees can have access to pitching all those online WWSF agents — pitches still at $29 each — without being a formal registrant for the online April 2023 WWSF. (That said, if you want to formally register for the WWSF and have access to all classes and panels, let us know, as there is a discount for confirmed Alabama attendees.) If you are interested in this added pitching opportunity, the first step is to get formally registered for Alabama. Following the AWW one-day conference on March 10, 2023, we will be in touch with all AWW attendees and ask them if they want to partake in pitching online agents at the 2023 WWSF (April 14-15). At that time, you can communicate your pitch requests and purchase meeting time.

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         More 2023 agents may be added at any time. These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind. (Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

PRICING

$169 — EARLY BIRD registration pricing! This is the complete base price for registration to the 2023 AWW and access to all workshops, all day. As of fall 2022, registration is now open. E-mail Brian Klems at WDWconference@gmail.com to register. Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.) “I met my client, Alison Hammer, at the Writing Workshop of Chicago and just sold her book.” – literary agent Joanna Mackenzie of Nelson Literary “Good news! I signed a client [novelist Aliza Mann] from the Michigan Writing Workshop!” – literary agent Sara Mebigow of KT Literary “I signed author Stephanie Wright from the Seattle Writing Workshop.” – literary agent Kathleen Ortiz of New Leaf Literary “I signed an author [Kate Thompson] that I met at the Philadelphia Writing Workshop.” – literary agent Kimberly Brower of Brower Literary “I signed novelist Kathleen McInnis after meeting her at the Chesapeake Writing Workshop.” – literary agent Adriann Ranta of Foundry Literary + Media Add $69 — for an in-depth, personal critique of your one-page query letter from instructor Brian Klems, who previously taught at this Alabama workshop. (This rate is a special event value for Alabama Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting? Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop.

• Young adult, middle grade, children’s picture books, adult romance (virtual critiques): Faculty member Gabrielle Prendergast, an author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you are submitting a picture book, make the submission 1000 words maximum, and it can or cannot include illustrations.
• Women’s, mainstream, science fiction, fantasy, romance, crime, thriller, mystery (virtual critiques): Faculty member Michelle McGill-Vargas, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 10 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
• Middle grade, young adult; adult fiction in the areas of low fantasy, literary fiction, romance, contemporary fiction, women’s fiction, historical fiction, and mainstream fiction (virtual critiques): Faculty member Joel Brigham, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss his thoughts, and pass along written critique notes before or after the meeting.
• Women’s fiction, contemporary/mainstream fiction, literary fiction, young adult, and memoir (virtual critiques): Faculty member Kimiko Nakamura, a literary agent and writing coach, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
• More critique options forthcoming

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by either PayPal or check. Because Brian plans different workshops, make sure you note that you’re inquiring about the Alabama workshop specifically.

REGISTRATION

Because of limited space at the venue of Embassy Suites by Hilton Birmingham, the workshop can only allow 140 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later. (Please note that this is an in-person event. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next AWW is an in-person event happening in Birmingham on March 10, 2023. See you there.) Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register. How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. She will pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The AWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Alabama workshop specifically. Refunds: If you sign up for the event and have to cancel for any reason, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments are completely non-refundable if the instructor has already edited your letter.)

Michelle McGill Vargas is an author. At the 2023 Alabama event, she is offering add-on (virtual) manuscript critiques for attendees.

“I am writer of speculative historical fiction, flash fiction, and short fiction. I’ve published in The Lutheran Witness, Splickety Magazine, The Copperfield Review, and Typehouse Literary Magazine. I’ve also contributed at Short Fiction Break and Noir Expressions.

“I’m currently represented by the amazing Melissa Danaczko of Stuart Krichevsky Literacy Agency, Inc. I pay the bills as a teacher of deaf and hard of hearing. I’m a member of Highland Writers Group, Valparaiso Writers Group, served as vice-president of the Indiana Writer’s Consortium and chair of its 2016 Steel Pen Conference, and am currently on the board of Midwest Writers.”

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Gabrielle Prendergast is a writer, teacher and designer. She is the author of many books for kids (young adult, middle grade, and picture books). She is represented by Barbara Poelle at the Irene Goodman Literary Agency. In 2018 she won the BC Book Prizes Sheila A. Egoff Children’s Literature Prize and toured the province as part of the BC Book Prizes Tour. In 2017 Gabrielle took part in the TD Canada Children’s Book Week Tour. In 2015 she was nominated for the BC Book Prizes and chosen to tour the province to promote BC Books. In 2014 she was the Writer in Residence at Vancouver Public Library. She has also been nominated for the White Pine Award and the CLA Award.

Gabrielle won the Westchester Award for Audacious. Audacious was included in CBC’s list of 100 YA Books That Make You Proud to be Canadian. A poem from Capricious was chosen for the 2014 Poetry in Transit Program. Pandas on the East Side was chosen as an Ontario Library Association Best Bet for Junior Fiction in 2016. It was also nominated/shortlisted for the Chocolate Lily Award, The Red Cedar Award, the Diamond Willow Award, the Myrca Award and the Vancouver Book Award. Her most recent book is the YA sci-fi Zero Repeat Forever, which won the 2018 BC Book Prizes’ Sheila A Egoff Award.

At the 2023 Alabama event, she is teaching on writing young adult and middle grade, and also writing picture books. She is also offering add-on (virtual) critiques for attendees.

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Kimiko Nakamura is a literary agent with Dee Mura Literary, representing YA and adult titles within the genres of contemporary, literary, historical, and women’s fiction. In the categories of non-fiction she specializes in cookbooks and memoir.

At the 2023 online AWW, Kimiko is offering add-on virtual manuscript critiques for attendees. (She is not taking pitches.)

A graduate of Boston University’s Book Publishing program and Skidmore College, Kimiko has called the publishing industry home since 2006. From production to sales she’s worked within publishing houses to release new titles and foster backlist profits. As an agent, she uses this diverse background to assist her clients with all stages of publication, and well beyond.

Kimiko works with aspiring and established authors alike. She loves projects that reimagine what’s possible, characters with something (or nothing) to lose, unique viewpoints, trailblazing heroines, and cookbooks she can read like the Sunday morning paper.

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Joel Brigham is the founder of Brigham Editorial, a fiction-editing service that has helped writers find agents and agented authors prepare for submission and publication.

He also is an editorial consultant for The Purcell Agency, a literary agency based out of Chicago, Illinois. As an author, he writes YA contemporary fiction and has two books on submission, both represented by agent Tina P. Schwartz.

He also edits content for Basketball News and spent 12 years covering the NBA as a senior sportswriter for HoopsWorld and Basketball Insiders. He has a bachelor’s degree in Creative Writing and a master’s degree in English Education and has taught high school English for 18 years.

At the 2023 online AWW workshop, he is offering add-on virtual critiques for attendees.

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Kayla Brown comes from a family of detectives, including a grandfather who filled her childhood with true crime stories she learned not to repeat at daycare.

She’s had stories and poetry published in Dewpoint Literary Magazine, Sojourn Literary Magazine, The Moonlit Road, and her serialization, “Royal Street,” will be published in The Dark Sire Literary Magazine throughout 2023.

Her first crime novel is currently on submission and won the grand prize for the Monroe-Walton Center for the Arts New Writers Contest 2021. She is proudly represented by Steven Hutson at WordWise Media, and she writes for the popular book blog, https://coupleofbeesread.com.

At the 2023 Alabama Writing Workshop, Kayla is giving a presentation on everything you need to know after you’ve landed your agent and you’re off on submission.

If you are coming to the 2023 Alabama Writing Workshop, you may be thinking about pitching our agent-in-attendance or editor-in-attendance. An in-person pitch is an excellent way to get an agent excited about both you and your work. Here are some tips (from a previous year’s instructor) that will help you pitch your work effectively at the event during a 10-minute consultation. The instructor advises that you should:

• Try to keep your pitch to 90 seconds. Keeping your pitch concise and short is beneficial because 1) it shows you are in command of the story and what your book is about; and 2) it allows plenty of time for back-and-forth discussion between you and the agent. Note: If you’re writing nonfiction, and therefore have to speak plenty about yourself and your platform, then your pitch can certainly run longer.
• Practice before you get to the event. Say your pitch out loud, and even try it out on fellow writers. Feedback from peers will help you figure out if your pitch is confusing, or missing critical elements. Remember to focus on what makes your story unique. Mystery novels, for example, all follow a similar formula — so the elements that make yours unique and interesting will need to shine during the pitch to make your book stand out.
• Do not give away the ending. If you pick up a DVD for Die Hard, does it say “John McClane wins at the end”? No. Because if it did, you wouldn’t buy the movie. Pitches are designed to leave the ending unanswered, much like the back of any DVD box you read.
• Have some questions ready. 10 minutes is plenty of time to pitch and discuss your book, so there is a good chance you will be done pitching early. At that point, you are free to ask the agent questions about writing, publishing or craft. The meeting is both a pitch session and a consultation, so feel free to ask whatever you like as long as it pertains to writing.
• Remember to hit the big beats of a pitch. Everyone’s pitch will be different, but the main elements to hit are 1) introducing the main character(s) and telling us about them, 2) saying what goes wrong that sets the story into motion, 3) explaining how the main character sets off to make things right and solve the problem, 4) explaining the stakes — i.e., what happens if the main character fails, and 5) ending with an unclear wrap-up.